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THOMAS WALMSLEY (1763-1805). A RUIN ON A LOUGH (POSSIBLY DERRYNANE ABBEY, AHAMORE ABBEY, CO. KERRY).
Bodycolour 23.5 x 34cm. Provenance: Bewdley, Stanley W. Fisher. ** A few minor blemishes in the sky.
Watercolour 20.5 x 29cm. Provenance: London, Albany Gallery. ** Some fading.
Each half length, holding flowers or a cat, one signed and dated 73, watercolour and pencil heightened with white, vignettes, framed oval Each 40 ...
CHARLES LOUIS GRATIA (1815-1911). PORTRAIT OF COLONEL ARCHIBALD BLACKWOOD, 32nd PIONEERS, BENGAL NAT
Quarter length, wearing uniform, signed and dated 1862, pastels on paper on a stretcher, period gilt frame 78.5 x 62.5cm. ** Good condition.
Signed, watercolour and bodycolour 27 x 45cm. ** Generally good.
Signed and dated 1866, watercolour and gouache with pencil 36 x 55cm. ** Good colour; vertical crease where the sheet was formerly folded.
Two, both signed, watercolour and bodycolour, 24 x 34cm and 19 x 26cm. (2) * The Maplin Sands are mudflats on the northern bank of the Thames estu...
Signed, watercolour and bodycolour 24 xc 34cm. ** Good condition.
signed, watercolour and pencil with touches of bodycolour 23.5 x 38cm. ** Generally good condition.
Signed, watercolour 37 x 24.5cm. ** Foxing; period gilt mount and frame.
A pair, both signed and inscribed with title Each 34.5 x 44.5cm. (2). ** Some fading and foxing; each in need of a clean; slip frames.
Bust length, wearing a lace evening dress, signed with monogram and dated 1903, pastels, oval, in a period oval frame with leaf and berry decorati...
Signed and inscribed `Study for "Puck"`, coloured chalks and charcoal on paper, lightly squared for transfer 48.5 x 39cm. * A study for `Midsummer...
Oil on canvas 88 x 65.5cm. ** Lined; retouching over some old tears and damages (on Joseph's face, the Christ Child's face and elsewhere).
Oil on canvas * Derived from Claude's `Landscape with Hagar and Ishmael` (London, National Gallery), circa 1646, this copy mid-19th Century. ** T...
Oil on canvas 43 x 42.5cm. * After the original composition, c.1666 (Seville, Museum of Fine Arts). ** Unlined; some surface faults (small tear ab...
Oil on canvas 42.5 x 57.5cm. ** Lined; craquelure and flaked losses; some retouching; some areas of wear; needs a clean etc.
A pair, oil on canvas Each 41.5 x 31.5cm. (2). ** Each with small patched repairs verso, with associated retouching; slight stretcher bruises.
PHILIPPE VIGNON (1638-1701). Follower of. PORTRAITS OF A NOBLEMAN AND A NOBLEWOMAN, TRADITIONALLY ID
Two, he quarter length, wearing armour, a lace cravat and a wide noeud papillon, she wearing a blue dress and russet mantle, oil on canvas, oval E...
Bears a signature, oil on canvas 70 x 90.5cm. ** Lined; patched repair verso with retouching throughout; some craquelure, breaks in the canvas and...
PIERRE MIGNARD (1612-1695). Follower of. PORTRAITS OF TWO NOBLEWOMEN, TRADITIONALLY IDENTIFIED AS MM
Two, each quarter length, wearing an elaborate gown, oil on canvas, oval Each 39 x 31.5cm. approx. (2). ** Each with some retouching and slight we...
Oil on panel 21 x 16.5cm. ** Light retouching; needs a clean.
A pair, oil on copper Each 17 x 19.5cm approx. (2). ** Each with light scattered retouching.
Oil on canvas, within a painted oval, gilt frame 63.5 x 53cm. ** Some slight craquelure; a few scattered blemishes; needs a light clean.
FRANCESCO GUARDI (1712-1793). Follower of. VENICE: THE GRAND CANAL WITH SAN GEREMIA, THE PALAZZO LAB
Oil on canvas, in an associated carved giltwood frame 71 x 87cm. Provenance: Private British collection for at least 50 years Derived from the or...
SIR PETER LELY (1618-1680). After. PORTRAIT OF EDWARD MONTAGU, 1st EARL OF SANDWICH (1625-1672).
Quarter length, wearing a full-bottomed wig and the Garter Star, oil on canvas, carved giltwood frame with leaf-, berry- and flowerhead decoration...
Bust length, wearing a dark dress with jewelled ribbons, a pearl necklace and pearl earrings, oil on canvas 35.5 x 30cm. ** Old lining; evident re...
A pair, each half length, she wearing a white dress with red and blue mantle; he wearing an orange silk jacket, lace cravat, blue and red mantle, ...
Long quarter length, wearing a blue dress and a russet mantle, within a painted oval, oil on canvas 74 x 61.5cm. ** Lined; some craquelure; some r...
Quarter length, wearing a silver-grey dress with gold brocade and a blue shawl, oil on canvas laid on board, oval 70 x 61cm. Provenance: Frost & R...
ROBERT HUNTER (C.1715/20-1803). His circle. PORTRAIT OF A GENTLEMAN, IDENTIFIED AS ARCHIBALD OGILVY
Half length, wearing a red coat and lace jabot, his arms folded, oil on canvas 73 x 61cm. ** Lined; retouched damage to left of sitter's face; sca...
Seated half length by a tree, wearing a pale grey coat and cream waistcoat, oil on canvas 74.5 x 62cm. ** Old lining; some abrasion and scattered ...
Quarter length, wearing a blue gown and holding flowers, old inscribed label on backboard, oil on canvas laid on board, oval 59 x 48.5cm. Provenan...
Oil on canvas, arched top, decorative gilt frame 76.5 x 63.5cm. * After Kauffmann's original composition, c.1782 (Dresden Gemaldegalerie). ** Repl...
Half length, wearing a blue dress with black lace shawl and long kid gloves, holding a book, a landscape beyond, oil on canvas, carved wood frame ...
SIR JOSHUA REYNOLDS, PRA (1723-1792). Follower of. PORTRAIT OF A YOUNG GIRL WITH HER PET SPANIEL.
Oil on canvas, mounted oval, slip frame 75 x 61cm. ** Old lining; repaired tear upper left and across girl's face; scattered retouching; some craq...
Oil on canvas 75 x 62.5cm. * After the original of c.1785-1788, Tate Britain. ** Lined; some scattered retouching, noticeably upper left.
Oil on canvas, in a modern `Carlo Maratta` style frame 74 x 62cm. Provenance: Collection in New York, USA; English private collection This subjec...
JOHN FRANCIS RIGAUD, RA (1742-1810). Follower of. PORTRAIT OF A GIRL, IDENTIFIED AS CAROLINE WYMAN.
Standing full length, wearing a white dress and holding a toy whip, a top at her feet, bears inscription `Caroline Wyman` verso, oil on canvas 112...
Oil on canvas 28 x 23cm. ** Lined; some scattered retouching; some craquelure.
Signed and dated 1780, oil on canvas 34 x 42.5cm. ** Lined; craquelure.
Inscribed with horse's name, signed, also inscribed Bishop Burton and dated 1828, oil on canvas 67.5 x 88cm. ** Lined; scattered retouching (evide...
Signed, oil on canvas 41.5 x 57cm. ** Lined; a some craquelure and stretcher bruises; some retouching; a little thin in places.
WILLIAM HENRY M. TURNER (FL.1849-1887). A BAY HORSE AND A CHESTNUT HORSE, STANDING NEAR A COUNTRY HO
Signed and dated 1857, oil on canvas, slip frame 39.5 x 56.5cm. ** Unlined; graze between the horses; stretcher bruises, surface blemishes and a f...
Oil on panel 29.5 x 51cm. ** Retouching along fine horizontal split.
Oil on canvas 23.5 x 32cm. ** Patched repair verso with some associated retouching; needs a clean.
JOHN JOSEPH BARKER OF BATH (1824-1904). THE COUNTRYMAN; A COUNTRY WOMAN WITH A DONKEY AND A COPPER P
A pair, both signed, the former also dated indistinctly (185..), oil on canvas Each 90 x 69.5cm. (2). ** Each lined; some scattered retouching; sl...
Signed and dated 1842, oil on board 31.5 x 41.5cm. Provenance: Presented by the artist to Captain Henry Heywood Wilson, 1873 (according to later h...
WILLIAM JOHN HUGGINS (1781-1845). SHIPPING IN THE ENGLISH CHANNEL: FRIGATES, WITH A FRENCH SAILING B
Oil on canvas 29.5 x 39.5cm. ** Lined; some retouching apparent along stretcher bruises.
Signed, oil on canvas 36.5 x 49cm. ** Thin areas; retouching (plainly apparent in the sky and elsewhere); needs a clean.
Quarter length, wearing a dark coat, red cravat and a monocle, signed and dated 1908, initialled R and numbered 2981 on stretcher, oil on canvas, ...
Signed and inscribed `München`, also signed and inscribed verso, oil on panel 23 x 16.5cm. Provenance: London, Cooling Galleries. ** Some light sc...
Oil on canvas 65 x 51cm. ** Patched repairs verso; retouching; some stretcher marks.
Signed, oil on panel (braced verso) 45 x 31cm. ** Good condition; under glass in period gilt frame.
A pair, both signed, oil on panel Each 19 x 25cm. (2). ** Each needs only a light clean.
Signed and dated 1837, also signed and inscribed on a label on the reverse, oil on panel 34.5 x 29cm. ** Craquelure; needs a clean.
Oil on canvas, maple veneered frame 88 x 77.5cm. ** Lined; some cracking (in the sky) and craquelure; scattered retouching over old damages and mi...
Signed with monogram and dated 54, oil on panel 14.5 x 23.5cm. ** Light, scattered retouching; area of retouching lower centre.
Signed; also signed, titled, dated 1894 and inscribed `Barrow/ Derby` verso, oil on canvas 28.5 x 44cm. ** Good condition; needs a light clean.
EDWARD PRITCHETT (1828-1876). VENICE: FIGURES IN THE PIAZZA SAN MARCO, LOOKING TOWARDS THE TORRE DEL
Signed, oil on canvas 45 x 34cm. ** Some craquelure; light, scattered retouching.