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Oil on canvas 59.5 x 47.5cm. * A variant, circa 1900, derived from Titian's `Salome`, c.1550 (Madrid, Prado). *Condition: A little craquelure; gen...
Oil on canvas 38 x 50.5cm. * After Albani's original, bequeathed by Sir Denis Mahon's Charitable Trust to The Art Fund. *Condition: Old lining; cr...
ADRIAEN FRANS BOUDEWIJNS (1644-1711). His circle. FIGURES AND BOATS NEAR RUINED BUILDINGS ON A MOUNT
Oil on canvas 31 x 40.5cm. Provenance: Private Collection, Enmore, Somerset; These rooms, November 10th 1983, lot 264 (as `Dutch School`, £170). *...
Oil on canvas 112.5 x 90cm. * After de Vos's composition, itself derived in part from Rubens' `Meeting between Abraham and Melchizedek`, c.1616-17...
Oil on canvas 71 x 96cm. *Condition: Lined; a little worn; damage in trees upper right; some bloom; scattered retouching apparent across the compo...
Oil on canvas 52 x 40cm. * After Murillo's original composition, c.1660, in The Pardo, Madrid. *Condition: Old lining; craquelure; some wear; evid...
J** RAMEAUX (FL.C.1903), AFTER GALLET. PORTRAIT OF LOUIS DE BRANCAS DE FORCALQUIER, MARQUIS DE GERET
Quarter length, wearing ermine robes and armour; signed, inscribed and dated 1903 by the copyist verso, oil on canvas 69.5 x 56.5cm. *Condition: A...
Half length, wearing a long wig, armour and a blue sash, oil on canvas 102.5 x 79cm. *Condition: Lined; retouching; some wear; associated oak leaf...
Standing, three quarter length, wearing a dark russet coat and holding a book and a cane, oil on canvas 124.5 x 99.5cm. *Condition: Old lining; re...
Oil on canvas 77.5 x 102.5cm. *Condition: Lined; renovated and with retouching. ...[more]
Oil on canvas 74.5 x 62cm. * Derived in part from the original, c.1723, in Dresden (Gemaldegalerie Alte Meister), 53 x 42cm. *Condition: Lined; sc...
GEORGE PERFECT HARDING (C.1780-1853). His circle. A SUITE OF SIX HISTORICIZING PORTRAITS OF TUDOR AN
Six, each depicted quarter length, within painted ovals, oil on metal, in 18th Century carved giltwood frames Each image 20 x 15.5cm approx. (6). ...
DAVID DES GRANGES (1611-C.1671/2). Follower of. PORTRAIT OF A GENTLEMAN, PROBABLY OF THE COLLARD FAM
Long quarter length, wearing clerical robes and a fine lace collar, buildings and a sailing vessel beyond, dated 1656, oil on canvas 74 x 62cm. Pr...
ENGLISH SCHOOL, 17/18TH CENTURY. PORTRAIT OF MR GILBERT, POSSIBLE FOUNDER OF `GILBERT'S CHARITY` OF
Quarter length, wearing a brown cloak, white neckcloth and long wig, oil on canvas, within a painted oval 73.5 x 61cm. Provenance: By descent in t...
SIR GODFREY KNELLER, BT. (1646-1723). His circle. PORTRAIT OF ANNE FOUNTAYNE, DAUGHTER OF THOMAS FOU
Half length, wearing a black or charcoal grey dress and mantle, within a painted oval, oil on canvas 83.5 x 68.5cm. Provenance: By descent in the ...
MICHAEL DAHL (1659-1743). His circle. PORTRAIT OF JUDITH FOUNTAYNE, DAUGHTER OF THOMAS FOUNTAYNE OF
Quarter length, wearing a pale grey dress with blue mantle, within a painted oval 83.5 x 69cm. Provenance: By descent in the family of the sitter....
Quarter length, wearing a pale grey dress with light blue mantle affixed with pearl clasp, also wearing pearl jewellery, within a painted oval, oi...
HENRY WALTON (1746-1813). PORTRAIT OF THOMAS KERRICH (1748-1809) OF GELDESTON HALL, BECCLES, SUFFOLK
Bust length, wearing a white, blue coat, buff waistcoat and white neckcloth, oil on panel, oval 25.5 x 20cm. Provenance: By descent in the family ...
HENRY WALTON (1746-1813). PORTRAIT OF THOMAS KERRICH (1748-1809), OF GELDESTON HALL, BECCLES, SUFFOL
Quarter length, wearing a dark grey coat and light grey waistcoat, bears identifying inscription verso, oil on panel 26 x 21cm. Provenance: By des...
Seated half length, wearing a white dress and hat, with a pale pink corsage, oil on canvas, in an associated frame (possibly French) 76 x 59.5cm. ...
Oil on panel, within a painted circle 13.5 x 13.5cm approx. * An old handwritten inscription on the reverse of the frame suggests that this is a p...
THOMAS PHILLIPS, RA (1770-1845). PORTRAIT OF JOSEPH RUSCOMBE POOLE, SOLICITOR IN BRIDGWATER (1774-18
Seated, long quarter length, wearing a dark coat and tie, oil on canvas laid on panel 73.5 x 62cm. Provenance: By descent in the family of the sit...
J** SYDNEY WILLIS HODGES (1829-1900). PORTRAIT OF GABRIEL STONE POOLE, SOLICITOR IN BRIDGWATER (1811
Long quarter length, wearing a dark coat and bow tie, oil on canvas laid on board, cut down 73 x 61.5cm. Provenance: By descent in the family of t...
ENGLISH SCHOOL, CIRCA 1800. PORTRAIT OF ELIZA POOLE (b.1734); AND OF HER SON, THE REVEREND JOHN POOL
Two, each quarter length, she wearing a shawl and lace-trimmed bonnet, a label verso indicating that this was painted in 1798; he in dark coat and...
THOMAS PHILLIPS, RA (1770-1845). Follower of. PORTRAIT OF MARY FRANCES FITZGERALD (1779-1855), MOTHE
Seated half length, wearing a russet dress and ochre mantle, seated upon a sofa, a swag and pillar beyond, distant landscape, oil on panel 34 x 28...
Bears signature verso, oil on panel 22 x 34cm. Provenance: London, N. R. Omell, `Exhibition of Marine Paintings of the 18th, 19th & "0th Century` ...
GEORGE BARRETT JUNIOR (C.1767-1842). Follower of. A MAN WITH HORSE AND CART DESCENDING INTO A VALE.
Oil on canvas# 60 x 73.5cm. *Condition: Lined; some paint separation; scattered retouching; some craquelure; needs a light clean. ...[more]
Inscribed with title on stretcher, oil on canvas 44.5 x 60cm. * A modern label on the stretcher indicates that `Inscription on back of canvas befo...
Oil on canvas 29.5 x 39.5cm. * A later handwritten label verso attributes the picture to George Cole (1810-1883), revising a former attribution to...
Signed and dated 1861, oil on canvas 68 x 88cm. *Condition: Lined; some associated retouching. ...[more]
A pair, both signed, oil on canvas Each 90.5 x 70cm. (2). *Condition: Each lined; some retouching; some craquelure; each needs a clean; period gil...
Signed and dated 1895, oil on canvas 70 x 90cm. * Cyrus, trained by James Jewitt (1856-1999), came 4th in the Grand National, 1884. *Condition: Li...
Oil on canvas, unframed 54 x 80cm. *Condition: Lined; some retouched craquelure and paint separation; needs a light clean. ...[more]
JOHN WARKUP SWIFT (1815-1869). Follower of. FIGURES ON A COUNTRY ROAD, A CITY BEYOND (NEWCASTLE UPON
Oil on canvas 64 x 86cm. *Condition: Old lining; much scattered retouching; vertical stretcher bruising; some abrasion. ...[more]
Signed, oil on canvas 40 x 59.5cm. *Condition: Lined; some craquelure; needs a clean. ...[more]
Signed and dated `Bath 1882`, oil on canvas 44.5 x 75cm. *Condition: Some retouching in sky; slight craquelure; small graze above pub sign over do...
Signed, oil on canvas 54.5 x 94.5cm. *Condition: Some paint separation; slightly chipped impasto in clouds. ...[more]
Signed `Adolphus Knell`, oil on panel 28.5 x 45cm. *Condition: Crushed impasto; some craquelure; needs a light clean. ...[more]
Signed and dated 1884, also signed and inscribed with title verso, oil on canvas 29.5 x 49.5cm. *Condition: Three patched repairs verso with assoc...
WILLIAM BROOME (1838-1892). A PILOT CUTTER AND A SCHOONER IN A SWELL, WITH A BARQUE BEING ASSISTED B
Signed and dated 88 or 1888 (partially indistinct), oil on canvas 49 x 74.5cm. Provenance: London, Parker Gallery. *Condition: Lined; some craquel...
CLARKSON FREDERICK STANFIELD, RA (1793-1867). Follower of. A FISHING BOAT AND OTHER VESSELS AT SEA.
Oil on canvas 21 x 31cm. Provenance: These rooms, January 19th 2007, lot 1380 (£270). *Condition: Craquelure; needs a light clean. ...[more]
LAI SUNG (FL.1850-1885). His circle. A CLIPPER UNDER FULL SAIL, FLYING THE RED ENSIGN, IN COASTAL WA
Oil on fine canvas laid on board 41.5 x 55.5cm. *Condition: Scattered retouching over flaked losses and other small blemishes. ...[more]
Seated, long half length, dressed as a gipsy, bears later inscription verso, oil on board 17.5 x 14cm. * The sitter was the artist's wife, nee Dan...
Signed and dated 1822 verso, oil on panel 16 x 21.5cm. * Bone exhibited `A Musical Party` at The Royal Academy in 1823 (no.169) Provenance: London...
Bears initials ES, oil on canvas, cut down, formerly on a larger stretcher 39 x 31.5cm. *Condition: Unlined; some flaked losses, bloom; scattered ...
Signed, oil on board 13.5 x 17cm. *Condition: Needs a light clean. ...[more]
Signed, oil on canvas 29.5 x 44.5cm. *Condition: Lined; a little scattered retouching; a few slightly skinned areas. ...[more]
Signed with initials and dated 1900 upper left, oil on canvas 39.5 x 29.5cm. *Condition: Unlined; faint stretcher bruises; needs a light clean; ti...
EDWARD PRITCHETT (1807-1876). VENICE: A VIEW OF THE PALAZZO DUCALE AND THE PIAZZETTA SAN MARCO FROM
Signed, oil on canvas 29 x 44cm. *Condition: some craquelure; damages in the canvas on the left by the facade and on the right within the larger b...
Signed indistinctly (`Ap. Crippels`?), oil on panel 22.5 x 27cm. Provenance: These rooms, October 20th 1988, lot 18 (£240). *Condition: The panel ...
Signed and inscribed `München`, also signed and inscribed verso, oil on panel 23 x 16.5cm. Provenance: London, Cooling Galleries. *Condition: Some...
Signed and inscribed `Wien`, oil on board 25 x 18.5cm. *Condition: Generally good condition. ...[more]
A pair, both signed, oil on canvas Each 17.25 x 14.5cm. (2). *Condition: Slight craquelure; each needs a clean. ...[more]
A pair, both signed and inscribed `Munchen` (incised), oil with sgraffito on panel Each 28.5 x 22cm approx. (2). *Condition: Each needs a light cl...
Signed and inscribed `Munchen`, oil and sgraffito on panel 22.5 x 16.5cm. *Condition: Needs a li8ght clean; slight retouching on coat. ...[more]
Signed and dated `Dubasty 1856`, oil on panel 31.5 x 23.5cm. *Condition: Some craquelure; slight area of abrasion extreme lower right corner. ......
A pair, both signed with initials, each inscribed with title verso, oil on board Each 14.5 x 30cm. (2). *Condition: Each with slightly discoloured...
Oil on canvas 63.5 x 87.5cm. *Condition: Replaced stretchers; lined; paint separation plainly apparent. ...[more]
Signed `J Van Couver` (the artist's pseudonym), oil on board 19.5 x 29.5cm. *Condition: Some craquelure; needs a light clean. ...[more]
Signed and dated `Aug 77`, oil on canvas laid on board 49 x 37cm. * Bears inscription in Norwegian verso `Givet til/ Katiwiese/ 1935/ Fru/ Bedstef...
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